På denna sida publiceras somligt allvarligt, somligt roligt, somligt tänkvärt, somligt lättsamt, som jag vill spara i första hand för eget nöje,men jag delar gärna med mig. ------ This blog is set up as an archive of interesting things I discovered on the net on culture in general. It is in the first place for my personal use, but I'm glad to share with those who are interested.
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ADGO Publicerades den 8 maj 2017 PRENUMERERA 9,2 TN Oleg Kagan and Natalia Gutman playing Brahms' Double Concerto, op. 102, with the State Academic SO under Evgeny Svetlanov, live in Moscow in 1981. Олег Каган - Наталия Гутман - Брамс - Евгений Свет...
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Played by Pina Carmirelli and I Musici. ClassicsForTheAges brings you another lost performance! I Musici was founded in 1952. It is said that Arturo Toscanini, upon hearing one of their rehearsals in April of the same year, declared I Musici to be the...
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Dietrich Fischer-Dieskau sings "Kreuzstab-Kantate" "Ich will den Kreuzstab gerne tragen" Cantata BWV 56 by Johann Sebastian Bach Arie: Ich will den Kreuzstab gerne tragen Rez.: Mein Wandel auf der Welt Arie:Endlich, endlich wird mein Joch Rez.& Arie:...
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Uploaded by Jau Tu Channel on 2015-09-30.
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Publicerades den 6 juli 2012 Jean Sibelius - Violin Concerto in D minor, Op. 47 I. Allegro moderato (00:00) II. Adagio di molto (17:04) III. Allegro, ma non tanto (25:52) Hiliry Hahn, violin Bavarian Radio Symphony Orchestra Lorin Maazel, conductor
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Click here for the film "Who was Jacqueline du Pré?": https://youtu.be/ys1hLa0y2zw Click here for "The Trout" with Perlman, Barenboim, Mehta and Zukerman: https://youtu.be/b8-H0r0iL6Q Subscribe to the channel for more content: https://goo.gl/GLSuto Buy...
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Felix Mendelssohn-Bartholdy: Theme and Variations "Seriéuses" in D Minor, Opus 54. Murray Perahia, piano.
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Murray Perahia plays Rachmaninoff Etude Tableaux Op.39 No.6 in A Minor "Little Red Ridig Hood".
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Finnish Radio Symphony Orchestra conducted by Hannu Lintu (11.09.2015) 19:06 2 mvt. 23:32 3 mvt. 33:52 Brahms Intermezzo Op.119 No.3 in C major
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People always talk about Bach’s mastery of counterpoint – for good reason, of course. But sometimes overlooked is the fact that Bach was also a towering master of melody qua melody, something on clear display in the first movement of this concerto. The...
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