På denna sida publiceras somligt allvarligt, somligt roligt, somligt tänkvärt, somligt lättsamt, som jag vill spara i första hand för eget nöje,men jag delar gärna med mig. ------ This blog is set up as an archive of interesting things I discovered on the net on culture in general. It is in the first place for my personal use, but I'm glad to share with those who are interested.
Giovanni Battista Pergolesi: Stabat Mater / Nathalie Stutzmann, conductor · Philippe Jaroussky, countertenor / Emöke Barath, soprano / Orfeo 55 / Recorded at the Château de Fontainebleau, France, April 2014. Video by Ozango / ARTE France.
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The Rhapsody for Alto, Op. 53: Johannes Brahms Mezzo-soprano: Elina Garanča Conductor: Christian Thielemann Jörn Hinnerk Andresen: Choir Conductors Vienna Philharmonic Concerts Association Vienna State Opera Choir Salzburg Festival / Großes Festspielhaus...
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超がつくほどの一流ピアニスト、マルタ・アルゲリッチのバッハです。 BWV826 RondoからCapriccioに変わった瞬間は鳥肌モノです。 一度耳にしただけでノックアウトでしたし、言葉の限界をいとも簡単に超えた瞬間でした。 J.Sバッハ × アルゲリッチ コラボレーションの極みです。 J.S.Bach - Partita No.2 c-moll BWV.826 Capriccio J.S.バッハ - パルティータ 第2番 ハ短調 BWV.826 【カプリッチョ】 Johann Sebastian...
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Sergueï Rachmaninoff (1873-1943) Lieder Part I 00:00 Vocalise, Op. 34, No. 14 06:29 Oh, do not sing to me, Op. 4, No. 4 11:28 The harvest of sorrow, Op. 4, No. 5 16:18 The Muse, Op. 34, No. 1 20:48 Lilacs, Op. 21, No. 5 (for solo piano) 23:08 Dissonance,...
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Martha Argerich and Pablo Galdo played for first time the last piece that Schubert composed, Fantasy in F minor, at Auditorio Enric Granados of Lleida, on April 4th, 2024. The rest of the program included Shostakovich, Ravel, Guastavino, Bach/Kurtág,...
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Magnificat BWV 243 ∙ I. Magnificat 00:00 ∙ II. Et exsultavit 03:00 ∙ III. Quia respexit 05:30 ∙ IV. Omnes generationes 08:12 ∙ V. Quia fecit mihi magna 09:31 ∙ VI. Et misericordia 11:24 ∙ VII. Fecit potentiam 14:48 ∙ VIII. Deposuit potentes...
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Joseph Haydn : Cello Concert N°1 C Dur : Mstislav Rostropovich (cello) Academy of St Martin Joseph Haydn : Cello Concert N°2 D Dur : Mstislav Rostropovich (cello) Academy of St Martin
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Alfred Brendel, piano By the late 1780s, Haydn's works for keyboard were clearly intended for the piano as opposed to the harpsichord. His exploitation of the dynamic potential of the relatively new piano grows with each of his last sonatas.
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The renaissance philosopher Marsilio Ficino once wrote that music is 'nothing but a decoration of silence'. A fine example of that is für Alina.Written in 1976 for piano by Arvo Pärt. Recorded in my studio on a guitar made by Per Hallgren. Agua e Vinho...
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